By Rajiv Kaushik
Art, Language and determine in Merleau-Ponty takes up the novel job of the figured philosophy to render brilliant and linguistic areas ahead of the idea in their separation. Kaushik situates Merleau-Ponty's criticisms of Saussure's linguistic approach, in addition to a extra basic repudiation of the act of inscribing in favour of an abstracted textual that means, during this context. Following the artists most crucial to Merleau-Ponty's personal writings on artwork, akin to Paul Klee and his fascination with hieroglyphics, and lengthening those analyses to newer twenty first Century artists resembling Cy Twombly, Kaushik takes an expedition into the locations the place paintings and language, picture and textual content, drawing and writing, determine and discourse, are interlaced in Merleau-Ponty's final ontology. In view of those intersections, Kaushik finally argues, the murals provides us the areas the place the chances of philosophy, either prior and destiny, dwell. because the first sustained therapy into the connection among artwork and language, this is often an incredible contribution to Meleau-Ponty's philosophy and students of aesthetics.
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Additional info for Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic (Bloomsbury Studies in Philosophy)
Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic (Bloomsbury Studies in Philosophy) by Rajiv Kaushik
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